While I’ve see this western blockbuster filmed in Cinerama a number of times I don’t believe I’ve actually seen it since my adolescent days. It played regularly on TV though I suspect in poor quality and edited down for the sake of commercials into a three hour running time. Revisiting this epic length film proved to be an enjoyable endeavor. One that stirred my emotions as I flashed back to being a youngster watching some of my movie heroes all taking part in the same film packed with action, romance and adventure. While I remembered the majority of the film based on the stars that appeared I didn’t necessarily recall each segment in detail. I say segment due to the fact that the film plays out in chapters utilizing a very familiar voice as the narrator and not one but three well known directors of yesteryear to capture the story of just how the west was won. According to Hollywood and MGM that is.
Rather than attempt to tell the story here let’s instead focus on the cast and crew brought together to entertain movie goers both then and now thanks to home video and more recently, blu ray.
Behind the camera of this 244 minute pioneering adventure are three accomplished directors who had numerous box office hits and in the case of one, 4 Academy Awards for Best Director. I’m speaking of John Ford who along with both Henry Hathaway and George Marshall brought this star studded affair to the screen. The film would win three Oscars for best Sound, Best Film Editing and for James Webb’s Screenplay. It was also nominated for Best Picture, Color Cinematography, Art Direction, Costume Design and for a memorable Music Score from Alfred Newman and Ken Darby.
Serving as narrator was none other than Spencer Tracy.
And now on to the many faces you’re sure to recognize in this frontier tale.
Karl Malden stars as the head of the Prescott Family. “O Lord, without consulting with Thee, we have sent thy way some souls whose evil ways passeth all understanding. We ask Thee humbly to receive them… whether you want them or not! Amen.”
Agnes Moorehead as Malden’s wife. “One liar at a time is enough.” she scolds her hubby after hearing more of his tall tales.
Carroll Baker stars as their young daughter aiming to catch the man of her dreams. “It’s the man that counts. Not where he lives.”
Along comes trapper Jimmy Stewart who she sets her sights on. Might take a heap of convincing for the mountain man who tells her frankly, “Likely I’ll stay drunk for a month. I won’t even remember the fancy gals I dally with and the men I carve up just out of pure cussedness anymore than I’ll remember you.”
Walter Brennan turns up as a devilish river pirate who along with a gang of cutthroats including an unbilled Lee Van Cleef sets about robbing and killing those travelling upon the river. With murder on his mind and a twinkle in his eye he’ll tell a would be victim, “Nothing but the best for you sir.”
When a wagon train sets out that great character actress, Thelma Ritter, is quick to point out to the film’s one central figure, Debbie Reynolds, “I was hoping to make this trip with a husband. Nearly got one last week.”
Robert Preston turns in an admirable performance as the leader of the wagon train who has reservations about allowing the single and available Miss Reynolds along on the trail. “Alone AND single? Brings out the devilry in a man. Get’s ’em all worked up and they’re wild enough already.” Turns out that poor Preston ends up with the Ralph Bellamy role …. if you know what I mean.
Along comes a tenderfoot gambler looking to hook a well to do lady and Miss Reynolds might be just the winning hand he’s looking for. “I found myself throwing in a winning hand. I just never thought I’d do that for any girl. Lily, How’d you like to hook up with a no-good gambler?” I’m sure you’ll know him as Gregory Peck.
John Ford takes the directing duties as the film turns towards the Civil War allowing for Andy Devine to point out, “There ain’t much glory in tromping a plough.”
Following the bloody battle of Shiloh where the rivers turn pink, Russ Tamblyn, as a Johnny Reb states, “Don’t seem fitting a man should have to drink water like that. Don’t seem fitting a man should have to do any of the things we’ve done today.” He’ll cross paths with a young George Peppard who will figure prominently over the final half of the film. He’s off to war and learns that, “There ain’t much glory in looking at a man with his guts hanging out.”
John Wayne as Gen. Sherman and Harry Morgan as Gen. Grant exchange pleasantries at Shiloh. Morgan states, “I’ll approve any disposition you wanna make.” Duke points out, “A month ago they were saying I was crazy. Insane! Now they’re calling me a hero. Hero or crazy I’m the same man.”
With the war over, along comes the railroad and a bullish Richard Widmark, “What’s a railroad anyway? Two tracks and a whistle.”
A heavily mustached Henry Fonda gets hired on to shoot buffalo and keep the railroad workers fed. He’ll also be available to mentor Peppard who has come of age as the film winds down. “Settled down for a year once. Took ten years off my life.”
The final stanza of the film brings the law into the land looking to put an end to the outlaw. Lee J. Cobb as an aging lawman tells Peppard, “You should have killed them both that day. But, well you didn’t. There ain’t a thing I can do about it now.” This concerning outlaw Eli Wallach who turns up late in the film looking to repay an old debt to Peppard.
Carolyn Jones has little to do other than fill out the call sheet as Peppard’s wife who would rather he not go after Wallach’s killer. “I’m asking you not to go. Don’t go.”
It’s said that Wallach’s colorful outlaw here is what landed him his most memorable role as Tuco in Leone’s classic The Good, The Bad and the Ugly. He’ll confront Peppard before their final confrontation, “I hear you’ve been talking to the Marshal about me. You call that friendly?”
Again it’s really Hollywood favorite Debbie Reynolds who ties the film together. She opens the film as Baker’s sister on the river who follows her dreams and fortunes on the wagon train with Peck. From saloon gal to an aging Aunt for Peppard’s children, perhaps she nails it when she points out, “I guess there’s nothing more pigheaded in a man then his sense of honor.”
Character players? By the score. Keep your eyes peeled and you’ll spot the likes of Mickey Shaughnessy, Raymond Massey in a brief clip once again playing Lincoln, Willis Bouchey, Rodolfo Acosta, Karl Swenson, Joe Sawyer who just might be the hubby Miss Ritter is looking for, John Larch, Jay C. Flippen and according to the IMDB, Harry Dean Stanton, though I didn’t spot him. Plenty of others to seek out as well.
Trivia and film connections? With a cast like this there’s far to many to list out but here’s a small sampling.
Stewart and Fonda are supposed to be close pals in the film. Much like they were in real life but in the film they never share a scene together.
Harry Morgan whose only scene here is opposite The Duke would rejoin the western legend for his farewell performance in 1976’s The Shootist.
Eli Wallach made his film debut opposite fellow co-stars Carroll Baker and Karl Malden in 1956’s Baby Doll.
In just 9 short years Miss Baker would play leading lady to the unbilled Van Cleef in the spaghetti western, Captain Apache.
Peck and Preston who vie for Debbie Reynolds had shared the screen as far back as 1947’s Hemingway tale, The Macomber Affair.
Six time Oscar nominee, Thelma Ritter, was a cinematic treasure. She had just starred opposite Debbie Reynolds the year before this release in The Second Time Around. One of those six Oscar nods was opposite Richard Widmark in the 1953 classic, Pickup On South Street.
Plenty more so feel free to present a couple connections of your own.
In closing have a listen to the song that is heard throughout the film. One that carries a nostalgic feel as delivered by Miss Reynolds and brings Peck back to her side.
Truly, truly an amazing cast.
And to think Lee Van Cleef was unbilled!
Yes incredible considering he was on the verge of fading from films till that Italian director came a calling and the rest is history. Great cast assembled for this one makes it a worthwhile venture on it’s own let alone the spectacle involved.
That widescreen clip above looks incredible…I can only imagine how cool it would be to see a good print in Cinerama (perhaps on that screen in Seattle). I seem to remember, like you, watching this as a kid, but I couldn’t tell you anything about it. And based on the photos above, and your descriptions of the characters, I’d say I’d be most interested in watching Peck and Stewart…did you have a favorite actor/character or story when you watched it this time around?
It’s the Jimmy Stewart part of the saga that I remembered most clearly and that’s probably for a couple reasons. Mainly the battle against Brennan’s river pirates and the fact that’s it’s the first chapter of a lengthy film. As a kid there’s no guarantee I’d still be sitting in front of the TV for the Peppard vs. Wallach showdown. Hard not appreciate Peppard and Reynolds seeing the film once again. A worthwhile revisit if you find the time.
With such a glittering of stars, whats there to not like? Movie was interesting and entertaining. The cast was well chosen for their parts. Still as evergreen as ever. Best regards.
I’ve always loved playing “spot the star” in this epic length flicks. The Longest Day another good example to play that same game.
The Blu-ray (finally) fixed the issue created by the three cameras — it looks fanatic! It’s a fun movie, with an extraordinary cast, superb cinematography and terrific music score.
Love the score and hard to deny it’s a BIG movie and the budget is clearly up there on the screen.
I LOVE this film and always have! Can’t even count how many times I’ve watched it over the years but until recently the lines that were a carry over necessity from Cinerama were a distraction. Now thanks to digital remastering they were able to eliminate them and it really makes the picture pop.You can appreciate the cinematography so much more.
The story is sort of a cliff notes version of the settling of the West but even at four hours what can you expect. The big selling point aside from Cinerama is that cast. There is not a single performance I don’t enjoy but some stood out for me more than others.
I liked Carroll Baker in all her various stages, particularly her farewell scene with George Peppard when she reluctantly sends him off to war. It’s beautifully composed and simply played, gets me every time.
Peppard is strongest in the railroad building scenes, I’m always happy to see Richard Widmark but his role is a pretty standard snarling villain though few could make the most of that trope better than he, and fine in the later scenes but they’re so reliant on action it doesn’t call for much character development. Like Widmark I’m delighted whenever Lee J. Cobb walks into a scene, his gruff demeanor plays well off Peppard’s more controlled one.
Apparently in the initial cut Peppard had a first wife, the daughter of Henry Fonda’s character played by Hope Lange but they cut her entire segment out. I love Hope and weep at her excision, I’d love to see those scenes as an extra…of course if they gave her as little to do as Carolyn Jones as wife #2 if might not be a big loss.
Thelma Ritter of course is a caustic dream.
But the two who made the movie for me were Gregory Peck and Debbie Reynolds. They are surprisingly simpatico, looking at them separately you wouldn’t think that they would work as a romantic pairing but they really do. Debbie is right at the peak of her cinematic power, she had shorn her girlishness and is knowingly tough but also very womenly. Even in her scenes sans Peck she dominates the film, she was a great choice to act as the through line. In her first bio she said she was only supposed to be in the first section with her parents but the producers liked what she was doing so much they expanded her role to tie everything together. She was about a foot shorter than Peck but with the care they took in filming them together it’s never really noticable and they have a terrific spiky chemistry.
It’s been a little while since I’ve watched this but TCM is showing it soon as part of their Oscar tribute so I’ll probably revisit it again.
It is a beautiful film to be sure. Baker and Peppard scene is strong and she’s very good here as is George who basically carries the last half. I like the Coles Notes comment. Widmark shoehorned in to be sure and another name for the poster. I’d read of the Hope Lange cut and as you say if it’s similar to Jones’ role might just as well. Always a Peck fan here so it works and I also like the fact that he was playing a “tenderfoot.” Not the more manly type he usually played in westerns. Debbie a treasure in this one. Cheers’
Thank you, Mike. I first saw this on the Cinerama screen (The Plaza) in Sydney on its first release. What an amazing spectacle in that format (thankfully, I saw it several times during its long first release). Aside from the spectacle I love the film and its multi strand story. The smile box Blu Ray on a large monitor is a great experience. All up I have seen this movie around 30 times over the years and still enjoy it as much as the first time.
The Alfred Newman score is magnificent.
I too love that score. As I mentioned it played on TV quite often when I was a youngster and I’d tune in for my favorite chapters like Jimmy vs. the river pirates and the civil war bits. Now I appreciate the film much more as a whole as opposed to certain chapters and stars. Cool seeing it on the big screen. Something I can’t say I’ve done.
There are aspects of “How the West Was Won” – especially the music and the cinematography. But . . . this movie would have been better off as a television miniseries, instead of a film.
Don’t disagree with that at all. Had this been made in the late 70’s onward it would have been. But I think the same can said of plenty of films from the past that were three plus hours.
This is one of my favorite films – so much so that I made an entire website on “The Making of How The West Was Won” (www.daveswarbirds.com/HTWWW). I just obtained a script for the movie, and am looking forward to documenting the scenes that were filmed or planned for the film that didn’t make it into the final cut. I also need to revamp the website, as it is 15 years old and looking very dated. An influx of many new photos from the film will help make it more viewable as well. I might be done by the end of the year…
Hope Lange’s role was an interesting one, being the love interest in a competitive triangle between Peppard and Widmark. Check the Louis L’amor’s book that was an adaptation of the screenplay for more details. It’s believed that her role was cut because: #1 she eventually divorced Zeb (after the Railroads sequence but before the Outlaws sequence) and divorce was not acceptable for a family film in 1962. The second reason is that the film was too long already, and they had to make serious cuts to get the film down to a manageable size for release.
By the way, Harry Dean Stanton is recognizable as one of Gant’s outlaws in his gang.
I recommend the HTWWW Blu-ray that contains both the standard and the SmileBox versions of the film.
Interesting about Hope Lange. Appreciate the nod to Harry Dean Stanton. I’ll have a closer look next time around.
The script reveals that she left him when he got his Army promotion after the railroad camp attack, but then he announced that he was leaving the Army, and she didn’t want a future with him if he was a civilian and no longer an officer. She was pregnant at the time, which makes her desire to leave him even more surprising. According to the novel, though, Zeb eventually ran into her in later years, and they patched things up and became a couple again.
After Hope’s part was cut, the producers later resurrected another version of the character with Carolyn Jones portraying (a more family friendly) Julie.