Utilizing Athens and Spain as a backdrop, this Terence Young directed action adventure is pretty to look at and if that weren’t enough, it also stars the blonde haired beauty, Martine Carol, to accentuate the gorgeous scenery.
As the film’s trailer points out, “from the tip of her toes to the top of her head, she’s dynamite.” As for the film’s leading man, Van Johnson? The trailer then goes on to tell us that he’ll “discover dynamite is dangerous.”
Damn I love those old time trailers.

“O.K. What’s your pitch?” Van asks Miss Carol when she approaches him about paying her passage into Communist controlled Albania smuggled aboard his sailing vessel. “No dice.” Van claims but circumstances will take a twist leaving him little choice but to sail into dangerous waters and a coastline closely guarded by the likes of screen heavy, Anthony Dawson. Is it just me or does this guy look like a brother to Royal Dano?
While on route to the coastline, Van, sets anchor allowing our Marilyn Monroe look-a-like a swim. Watching for the first time I was wondering if the production was going to make an attempt to one up Sophia Loren’s star making entrance in another 1957 release, Boy On a Dolphin, rising from the water in a very clingy outfit designed to cause the male population the world over to sit up and take notice. And that it did cementing Sophia as a star attraction. Well, considering the career trajectory of Miss Carol, I guess the answer is no however, I did not expect her to climb aboard topless with Van awaiting to hand her a towel.

Yes I did say topless! Maybe not all that big a deal to today’s movie goers but we’re talking 1957 here! A quick bit of research and it would appear as if the version of the film released on blu ray via the Warner Archive label is the European print. Under no circumstances would this have been passed for release under the “code” being enforced in North America at this time. The same scene is included in the trailer but our blonde beauty is wearing a one piece swimsuit for the U.S. marketing campaign.

We all know that the verbal sparring between tough guy Van and lovely Carol will lead to romance but when it comes to “the dirty man who needs a shave,” Carol has little use for him while on board Van’s boat. You see Van’s frisky second mate is a young actor who will soon become a cinema icon in just five years under Terence Young’s guidance filming what might be the most influential spy film of them all, Dr. No. I am of course referring to a 27 year old Sean Connery.

The plot goes into overdrive when Van is left with little choice but to personally take Carol inland where she hopes to find her brother and bring him safely out of the Communist held country. Played by Gustavo Rocco, he’s been blinded after running afoul of the authorities. Van is going to find himself playing savior leading Carol, her brother and a half dozen children entrusted to him so that they may escape the tyranny of Communism and find a better life elsewhere.

Time to run into the third billed Herbert Lom. He’s cast as a colorful yet unsavory guerilla fighter commanding a force that will save Van and company from their captors. The problem is he’s entranced by Miss Carol and decides it’s best she remain behind to be “his woman.” Needless to say that’s not likely to happen. At least not on Van’s watch.
Still to come is a dramatic battle that will see Van scale a mountain face in order to draw fire so that Lom can lead his freedom fighters against the soldiers stationed along the Greek border. And just like that ….. there’s another plot twist that takes some of the starch out of our big screen adventure. Still, I did enjoy this outing that had Van playing a role very much akin to those that we would have seen played by the likes of Alan Ladd around this time. With lines like, “Don’t waltz with me, sweetheart.” it’s not too hard to picture Ladd playing the central role though it is nice to see Van taking on tough guy duties now that his MGM days as a romantic leading man opposite leading ladies like Esther Williams had come to an end.

According to the bio on Van written by Ronald L. Davis, MGM’s Golden Boy, he had moved his family to England as so many actors did during this era to take advantage of some tax breaks while filming abroad.
While Van’s career as a box office draw was winding down, Terence Young’s was on the rise as a director. He’d already proved he was more than capable of handling action films and had even worked with Alan Ladd on 1954’s Paratrooper and was in the midst of three films with Victor Mature, Zarak, Safari and Tank Force. Dr. No, From Russia With Love and Thunderball would leave him forever identified with the Connery/007 series. He’d remain busy directing the thrilling Wait Until Dark and even helm a trio of early 70’s Charles Bronson films, Cold Sweat, Red Sun and The Valachi Papers.

Useless trivia for the film buff? Young’s debut film as a director was 1948’s Corridor of Mirrors. It’s also the film debut of the legendary, Christopher Lee.
Herbert Lom was by this point a credit to any film he turned up in. Still, his most memorable role would come in 1964’s A Shot in The Dark as Chief Inspector Dreyfuss opposite Peter Sellers’ Inspector Clouseau and the many sequels. French actress, Martine Carol, never did attain the accolades or popularity of Sophia Loren and apart from a leading role opposite Jack Palance and Jeff Chandler in Robert Aldrich’s Ten Seconds to Hell released in 1959, I’m not familiar with her. Sadly she’d pass away at the age of 46 in 1967.

I’d been meaning to watch this film for a while having come across both the blu ray and an original novelization meant to tie in with the film’s release. Having recently scored an original release one sheet sealed the deal to set aside 93 minutes for Young’s action adventure with both a good cast and a pleasant backdrop.

I know a real film buff when he remarks on the similarity between Anthony Dawson and Royal Dano: well served, sir!
LOL. Funny how I’ve been watching them both for years and it kind of just hit me watching this one.
I read about this one when Sean Connery first passed away, looks very entertaining. I didn’t think the Code was still enforced in 1957, there were all those Douglas Sirk Melodramas around the same time that flaunted taboo subjects, Bus Stop with Marilyn Monroe, and of course Nick Ray’s Bigger Than Life, so many films pushing the limits and they balk at a typical genre film, insane.
Yes, the Code was still enforced until the mid 1960s when it was replaced by the Ratings system.
The Code can be fairly amusing based on what we see and allow today.
If only the Code destroyers knew what they’d be letting themselves in for they might have taken a tougher stance at the outset when they went over to the ratings system. Foreign pictures, which didn’t have to abide by the Code, were often to blame for the shift in standards.
It’s also interesting to listen to the dialogue of the real pros and how they slipped things in to the scripts that no longer had to be carefully placed once the code cracked.
Dialogue was the first to be tested. Virginia Woolf had opened the door and later movies really tested the new ratings system. It was often a case of what directors thought they could get away with.
Boundaries were being stretched by filmmakers like Preminger but outright nudity was not to be seen on N.A. screens for some time. Either way I kind of like this one for what it is, popcorn entertainment with splendid scenery.
I recently watched this again. Van was wrong for the role. Every actor brings some baggage good or not so good to his films. Van was a romantic lead in many flicks although he didn’t have that kind of panache and wasn’t believable as a tough guy. Richard Egan, Richard Conte, Vic Mature or Fernando Lamas would have been right. Connery’s hairy slob drunkenly trying to rape Martine was an odd, unnecessary piece of writing since he later becomes a hero. The locations and cinematography are really impressive. Lom, Connery and Yvonne Romain, one of my favorite actresses, later costarred in The Frightened City.
Yes any of those guys would have been well suited but I don’t think Van was bad in the role. Just out of place. Not sure why the Connery clip was inserted other than to give us more of Miss Carol in turmoil and to be rescued by our leading man. I have The Frightened City and been meaning to watch it. Have the one sheet tucked away for that one as well.
By sheer coincidence, I picked up a copy of this movie just the other day, but I haven’t had a chance to look at it. My main motivation, aside from the fact I’ve never seen the film before, is the use of Athens (where I live) as a location for some of the shooting.
I’ll be honest here and say I’m not a particular fan of Terence Young’s films – the Bond movies were a big boost for his career of course but I’m not sure how much theeir success is down to him. I do think his debut feature, which you mentioned, is an interesting and stylish bit of work though.
I agree that I don’t think Young necessarily made the Bond films any better than they may have been in other hands but no doubt he can hang his hat on them. My wife and I made it to Athens back in 2004 if I recall correctly and had a wonderful time exploring the city. So far my only trip overseas …… maybe someday I’ll get there again.
Connery was more than frisky, tearing off Martine’s blouse near-enough in the trailer. I like Terence Young’s work. Mayerling underrated and the “eastern-western” Red Sun one of my favorites.
Indeed. Again I wonder of the scene was included to maybe get a little more flesh into the picture and as a plot ploy to give Van a tough guy scene protecting the lovely lady while advancing the romance angle.
I would say all of the above. Foreign females were expected to show more flesh, I would guess. How they got away with Boy on a Dolphin I’ll never know.
I remember calling my two sons in when they were in their teens to my movie room just as Sophia was about to exit the water and told them here’s a scene that changed the course of movies for years to come. lol.
What a great father you were. Couldn’t see my dad being as considerate about my education.