Looking for a 1970’s western with a superior cast? Look no further than this Michael Winner directed effort that includes a Jerry Fielding score with dialogue that flows like cowboy poetry from screenwriter Gerald Wilson.
As is the case with many westerns released in the early 1970’s this one cranks up the onscreen violence in the search for realism. The result is a hardened story that sees the title character Jared Maddox played by Burt Lancaster looking to right the wrong left in his small town by a group of drunken cowboys shooting up the streets and store front windows as they let off some steam while passing through on a cattle drive. When the gang led by cattle baron Lee J. Cobb rides off, there is a dead man lying in the street hit by a stray bullet.
Lancaster plays it mean with a unswaying sense of right over wrong though he knows fully well the courts can be bought off and in all likelihood will be once again by the wealthy Cobb. The problem is that Cobb and his men will all refuse to go back peacefully and stand trial for a killing they are totally unaware of though admit freely to shooting the town up in a drunken haze. Playing the go between in the town that Cobb owns is an aging Robert Ryan who has seen better days. Now he intends to live his remaining years peacefully behind a badge that has been bought and paid for. Burt knows Ryan was at one time a hell of a lawman though he doesn’t judge him. He just doesn’t want to end up like him.
As Ryan puts it, “That’s all I got Maddox, A bunch of yesterdays.”
When Lancaster first rides into Ryan’s jurisdiction he’s pulling a horse with a body draped across the saddle. It’s the first man he has on the list of possible killers he’s to bring back for trial. It sets the tone that he aims to see justice down. Among Cobb’s riders are his quick tempered brother Albert Salmi who sets the plot on it’s violent path, his son Michael Beck, dirt poor neighbors Robert Duvall and J.D Cannon who hire on occasionally, the slippery Ralph Waite and tough William Watson. Not involved in the killing and making his big screen debut is Richard Jordan. He also works for Cobb as a young gunslinger and will figure prominently as the plot develops.
The bodies will pile up despite Ryan trying to keep the peace alongside Burt’s old flame Sheree North who has now taken up with the cowardly Cannon. This leads to a great exchange between her weathered, tired look and the hardened Burt, “Do you know what they call you, Jared? The widowmaker! “
There’s a tinge of the town tamer in here that has gone too far despite Burt not being brought in under those circumstances. He’s here killing men that are known and somewhat respected on Cobb’s lands and in the town. The businessmen want Burt gone and are on the verge of vigilante justice but aren’t man enough to finish what they started as the cool and deliberate Lawman stands tall as they all back off……
“Which one has the words? You’re the store keeper – Luther Harris, ain’t it? Let me say them for you. You want me out of your town. What happened some other time some other place ain’t your trouble. I’ve seen men like you in every town in the West. You want the law, but you want it to walk quiet. You don’t want it to put a hole in your pocket. You take courage from each other and you come armed. Well, there are enough of you. All you need is one man with enough stomach to die first. I’m not leaving until what I came for is done. So if you plan to do anything about it do it now or go home. “
Among them you’ll see John McGiver, Robert Emhardt, John Hillerman, Walter Brooke as the ring leader and who might be the local minster in town? None other than the usually devious Charles Tyner. We’ll also an interesting role enacted by Joseph Wiseman as a man from Lancaster’s past who runs the local brothel but more or less is siding with the brutality of the Lawman.
I’m not going to get into just how the plot plays itself out but would rather focus on some of the dialogue that struck me as classic examples of what one might hear in a western.
From Cobb, “The dead don’t have much.” or maybe “I don’t like men sweatin’ fear in my house! “
From Duvall, “You’d ride a man to hell wouldn’t you Jared?” I’d also like to point out that Duvall in a rather small role here really shines as a man who just wants to work his small spread and be left alone.
From Wiseman, “You and I sit at the same table, Jared. The virtuous need us, but they can’t stand the smell. “
From our headliner, Burt Lancaster, “A man gets caught in his own doing.” or how about, “Being fast don’t count for much. It’s what you learn in the trade.” Then there’s his code, “I never drew first on a man in my life. That’s the only way to stay clean – you play it by the rules. Without the rules, you’re nothing! “
Not surprisingly screenwriter Wilson also wrote Winner’s Chato’s Land which features much of the same winning dialogue from Jack Palance and the posse he’s leading through rocky desert lands while hunting Charles Bronson. On the topic of Michael Winner, always a controversial subject it seems, I do think he’s done better. As much as I like the casting and the dialogue, I’m not overly fussy with the camera movements and zoom lens he employs here. Still, this is a fine western of the era and puts screen icon Burt Lancaster back in the saddle which fits him fine.
Lancaster would work again with the director and writer on the 1973 espionage thriller Scorpio opposite Alain Delon. In between Lawman and Scorpio, Winner would begin his six film run with Bronson beginning with Chato’s Land that culminated in their biggest screen triumph, Death Wish in 1974.
There’s a hardly a face you won’t recognize in Lawman and that’s a big plus. From our leading trio of Burt, Lee and Robert onto some who were already established character players like J.D. Cannon and John McGiver. Others like Duvall would go on to win an Oscar or then there’s Ralph Waite who would turn fatherly for a long series run on The Waltons.
Lawman is available on DVD from MGM or if you’d like to spend some coin and upgrade there’s always the blu ray from Twilight Time. Assuming you’ve visited here before and no I’m a big fan of Lancaster then you shouldn’t be surprised to see I have an original one sheet here in the vault at Mike’s Take.
But I’ll bet you didn’t see this foreign version coming at you “riding a man to hell.”
This is one of my favorites among Lancaster’s canon along with Valdez is Coming & The Swimmer. Your foreign poster is coming from Turkey with an exact translation of the original title and it’s something which I’m still seeking out over here but alas… Anyways, a good piece & one of the few I’ve seen so far on this great movie…
Thanks for stopping in. Really a solid western and The Swimmer continues to grow in stature. Keep meaning to feature that and Valdez. I’ll get to them as I feature Burt here quite often. Good luck with the poster hunt.
Have not watch this for a long time. Remember it was an entertaining western. Now that you have stirred my interest, will watch this and Chato’s Land again. Best regards.
Makes a good double bill knowing it’s the same team behind both films. Again it’s the dialogue I really like in both along with the superior casts. Enjoy.
Yes,Mike Winner does get more than his share of flak but for me his two Westerns are just fine.
I take your point regarding Winners over use of zoom;in fact British critic Phil Hardy dubbed Winner
“The king of zoom” Gerald Wilson,I understand liked the fact that Winner did not alter too much, what
he wrote. As violent as the two Winner/Wilson Westerns were they did not veer towards the excessive
violence that totally scuppered other 70’s Westerns each of which had enormous potential (THE HUNTING
PARTY;THE DEADLY TRACKERS;THE LAST HARD MEN)
Only dubious moment-Lancaster’s character,obviously a Puritan,still finds time to bed Sheree North,but
on the other hand,who can blame him.
I might add that I do have the German Blu Ray and it’s a very good transfer but oddly enough the Sheree
topless scene is cut-I’m not going to shell out for the Twilight Time version for a few extra Sheree seconds!
I also really like CHATO’S LAND,again a superior supporting cast and a role that suits Charlie to a “T”
The whole Sheree North scene with Burt in bed almost caters to the “star” philosophy that Burt has to bed a woman. It’s pretty much the only misstep. Should have left her as an old flame and kept it that way. I can’t quite dub Winner the King of Zoom, that has to go to exploitation specialist Jess Franco. Great casts in those westerns you mentioned but yes, they were getting a bit excessive. One I need to see again is Soldier Blue that was I believe heavy in blood and gore. Have a VHS copy I picked up but haven’t checked it out just yet. Think it’s pretty much off the grid these days. Charlie as Chato was perfect casting long before there was a Rambo.
When you get the chance to review Soldier Blue again, check out P.B. Hurst’s companion book “The Most Savage Film”. Written in 2008, it gives plenty of depth to the movie as well as director Ralph Nelson’s motives behind making it.
Winner’s early work is worth exploring and his limitations weren’t to the forefront till later on in his career so this is a pretty solid and enjoyable effort overall. There are too many zooms and other pointless affectations on display but the film is good enough to rise above this.
Agreed. I find it gets better with age and again I think that goes back to the writing.
Well, the writing is often what makes or breaks any movie.
Good lord, quite a cast there, and the names go on and on. I wondered where this film was lodged in Ryan’s later career, and figured it might be his last…nope! He had FIVE films released the year he passed away, in 1973! And I only know Winner from the films he made with Bronson…what’s the controversy with him about?
Winner always seemed at odds with his critics and could apparently be a real SOB on set. Takes a lot of heat for the brutality in the Death Wish films on the rape scenes. His autobiography is a real enjoyable read though if you’re interested.
Thanks for the info, Mike! Yeah, I guess I knew about the Death Wish controversy, but interesting that he was tough to work with otherwise. I wonder if Bronson put him in his place if he got too chippy!
So…let’s talk about movies with a great cast…
“Riding a man to hell!” Probably a slogan on the wall of the Blue Oyster Bar! LOL
Joking aside, what a cast and what superb posters dude.. I do have this lined up to watch at some point soon. I was very intrigued by the Winner and Lancaster pairing. Looks and sounds like a really good film.
This one a strong effort from the time when the western was starting to disappear from theaters and cop movies were coming on strong. Chance for you to see another Robert Ryan flick. Great image of Burt on that poster!
Hehe yeah I’m finding out he’s bad more cases than good but I’ll still be going in blind so I hope to be surprised. You know what dude I’m going to find out in a few moments. Lawman is now officially tonight’s film. Cheers bro.
Loved it. Lancaster was superb and it was a great role for Ryan and I liked the intrigued with him, was he gonna be bad or good! I like how he turned out.
A few notes. Funny to hear Bronson’s name said so many times in a Winner film.
Ryan’s line “There be some dying!” was great. So to was “The Widowmaker” line. What was with the skull head clock? Burt playing the flute LOL.
Loved that it was about old cowboys realising that a times they are a changin. And even Cobb didn’t really want any more killing.
I wasn’t expecting that “back shot” end. Really great film. Nice one for the kick up the jacksy.
Yeah the clock had me thinking Wiseman was still thinking he’s playing Dr. No! Great lines in this one and the name Bronson is a bit of a kick considering Winner’s association with the one and only.
No way! Dr NO! I thought he looked familiar but had no idea he was Dr No! Well I never!
I have a 16mm print of this movie, and I enjoy it quite a bit! Under rated and under discussed.
I love the cast and keep going back to the written word in the script by Wilson along with his script for Chato’s Land. So well written.
A classic western from 1971. Right up there with Sam Peckinpah’s 1969 horse opera, The Wild Bunch. A Solid cast, storyline, and direction. I enjoyed every minute of it.
All in the writing. A solid script with a cast to match led by the legendary Lancaster. One of Winner’s best films.