There are plenty of guns and gangsters in this Edward L. Cahn directed “B” and as for girls …. well the male cast get all they can handle in one package, the blonde bombshell Mamie Van Doren, who scores top billing above her costars, Gerald Mohr and Lee Van Cleef.
To get this black and white 70 minute United Artists release rolling we’ll cue up the dreaded narrator (not a fan) and take advantage of some vintage stock footage of Las Vegas, Nevada. It’s here that we’ll learn Mr. Mohr is an ex-con studying the transportation of Casino money via armored trucks to the banks of L.A. He’s looking to put a gang together and already has the recognizable character actor, Paul Fix, in his employ as a radio specialist who can monitor the movements of the armored vehicles and reproduce their call-ins while on the road.
In order to get on the inside with local gangland figure, Grant Richards, Mohr figures on making a play for the featured performer in Richards’ nightclub. If you said Miss Mamie, you’d be right. Time to introduce our blonde attraction to the paying customers. In a form fitting, silky low cut outfit, Mamie, hits the dance floor for a sexy number to the appreciation of the male members in the audience. Following the show she’ll find Mohr in her dressing room.
He’s got free roaming hands and she’s not exactly receptive to his advances. Not yet at least. He let’s her know that not only does he want her to connect him with her boss/lover but he was also the cellmate of her incarcerated husband, Lee Van Cleef. For the past few years he and Van Cleef have been hatching this heist plan and even though Van Cleef is still in the state pen, Mohr fully intends to give him a fair cut of the two million he intends to steal over the New Year’s Holiday.
Soon after meeting Mamie, Mohr, will have the cooperation of Richards in pulling the heist and a fence who is willing to unload the cash overseas. Now with the gang in place and Mamie joining in and beginning to like what Mohr is selling her for a future in Mexico, she’s staking out the small roadside motel and garage where the heist is to take place. It’s here Mamie meets and befriends the couple who own the roadside establishment taking pride in their work running the motel played by Elaine Edwards and John Baer.
All plans for a smooth hijacking are tossed aside when Van Cleef breaks out of prison and is the focal point of an intense manhunt. The eventual icon of spaghetti westerns wants nothing better than to catch up to his wayward wife and any lovers she’s taken. He’s more interested in killing then he is the two million dollar take. Looking for information on Mamie’s whereabouts he’ll beat one of our leading characters nearly to death before finishing the job with a knife. Then it’s on to the next lead in locating her. The bodies are piling up quickly and when he finally reaches Mamie and Mohr at the roadside motel an uneasy alliance is formed until the money from the heist is secured.
That still won’t stop Van Cleef from killing the armored car guards, one of which is Robert’s brother, John Mitchum, appearing unbilled in one of the many character parts he’d play over the course of a long career in his brother’s shadow. Though Van Cleef scored third billing he doesn’t appear on camera till the film is half over so it’s safe to say I wasn’t expecting all that much. WRONG. Without consulting a long list of his 1950’s bit roles and back shooting cowboys, this might be his most impressive role in a non western during the decade. His presence is one of brute force and makes it easy to see why he was one of the premiere villains of the era though admittedly on the “B” circuit. I’d like to have seen what he could have done in a superior Noir as the lead hood.
“Give me plenty of room men. I take deep breaths.”
This from Miss Mamie on New Years Eve as she treats the party goers staying at the Motel to a song and dance routine. I guess this is as good a time as any to point out that Mamie has a minimum 8 different outfits I counted in the 70 minutes the film lasted. Everything from that slinky Vegas number to a one piece swimsuit. There’s no doubting where the advertising campaign fell upon this film’s release.
I guess there are no surprises down the stretch and as this isn’t Steve McQueen and Ali MacGraw in The Getaway, don’t expect much of a future in Mexico for Mohr and Mamie. That’s the couple’s intentions if they can only get the cash and do away with Van Cleef who is charging hard at them as we approach the final reel.
There’s little doubt that the late 50’s were the days of the blonde bombshells led of course by Marilyn Monroe. Jayne Mansfield, Miss Mamie, Joi Lansing etc. were all enlisted to bring young men into movie houses of the day. Got a favorite? Did I miss yours? Send me a message below. As for Mamie Van Doren, I thought she was fine in this “B” flick and held her own in the acting department. I think we can all agree that far too often the good looking gals had their performances overlooked thanks to their stunning figures. So while Van Cleef steals the film for me, Miss Mamie held her own for director Cahn.
Looking to see this one? It was recently released in a three pack of Mamie Van Doren titles via Kino Lorber on blu ray. 1 down and 2 to go…..
I remember seeing this late one night on TCM when I had trouble sleeping. I thought it was pretty well made myself, and Miss Doren, Mr. Van Cleef, and Mr. Mohr give really good performances. I’m so used to seeing Van Cleef in Westerns that is was weird seeing him play a contemporary villain.
I too thought it was above average for what it was meant to be at the time. Probably the lower half of a double bill. Performers were fine and I’ve no problem recommending this one or rewatching it in the future. Love Van Cleef in this one. A force on camera.
Very entertaining and fast moving ‘B’ heist movie with stunning presence of eye candy Mamie. Mohr reminds me of Bogart and Van Clèef providing strong support. Best regards.
That pretty much sums it up. Again I have no problem in recommending this one.
I’ve just recently watched some Mamie movies, she’s fun! I look forward to seeing this one. I want to see the two she did with Steve Cochran as well. Thx for the review!
No doubt a very attractive lady and at least in this film, a fine performer. Thought she gave a good dramatic performance when called on. I like Cochran as well. Fine gangster type actor who sadly died way to young and under mysterious circumstances. Has to be a story there somewhere.
Mamie Van Doren was indeed lick-her-boots seductive and lashly beautiful (if you’ll pardon both expressions) but my vote for favourite 1950’s blonde bombshell will always go to the radiant Kim Novak (PICNIC – 1955 / PAL JOEY – 1957 / VERTIGO -1958). Then again it’s much like trying to choose between a Rolls and a Benz. You win either way!
Chalk one up for Miss Novak. A real beauty. Vertigo is for me her finest moment I think. Loved her in Bell Book and Candle as well. And yes we win either way.
I gotta see this!
Hope you do. I keep saying it’s an easy one to recommend and easy to shoehorn into a tight schedule at just 70 minutes. Have fun.
Mamie Van Doren was the infamous “big hitter” on the late Gary Logins Cracked Rear Viewer. Remember him doing his yearly stats and her ample statistics always made things rise! Haha
I’m not too bad on the narration on these oldies. I like it. They always have a style to their voices that throw me straight into the era. Liking that we get some vintage stock footage too. Another great reason why I love these old films. Time capsules. This one sounds great fun Mike and I see it’s on YT. Nifty runtime to go with the saucy sexy Mamie. Van Cleef was so unique looking wasn’t he. I’m just as excited to seeing him along side the double delights. 🙂
Added to the list and can’t wait to get to it.
PS sorry for the lack of comments, posts etc recently. Being back at work the last few months through the lock down really hit my film posting routine to shreds! Struggling to get back to what I love….
On catch up now.
Mamie was a double D delight and Van Cleef is always worthy of my attention and it’s nice to see him get a meaty role in this one. No apologies are needed but that does explain why you never commented on this post during the lockdown…. https://mikestakeonthemovies.com/2020/04/16/a-trio-of-jekylls-three-hydes-and-a-werewolf/
I wondered if you owned this set! Of the three films included, I’ve only seen ‘Vice Raid’, which I’m sure is probably on the same level entertainment-wise as this one. And now that I know it’s on YT (thanks, Wolf!), I can check it out for Van Cleef’s performance; I liked him ‘The Big Combo’, so looking forward to seeing him here. And yeah, okay, I’m looking forward to seeing Miss Van Doren as well.
Big Combo a great Noir and what a cast. Love the scene where Donlevy gets his. A real classic demise. A film I keep meaning to feature here since acquiring a blu ray edition. Figure it won’t be long till I get to the other two titles in that Mamie set. Maybe feature them both here spread out at one a month into August. Too much Mamie at once could be detrimental to my health.
Whenever I tell people about cool scenes in noir, that’s one I always mention…Donlevy’s demise. Nice to hear I’m not the only one who’s taken note!
Mike, haha ‘too much of Mamie could be detrimental to my health’. Its only make belief, what if its in real life? Relax. Best regards.