It’s an unlikely heist flick that serves as Brando’s Pick of the Month with little in the way of star power but plenty of four legged thieves and gnashing teeth.
When a meticulously planned heist goes comically wrong in the opening stanza of this low budget affair from director Byron Ross Chudnow, the gang leader Byron Mabe turns his attentions to concocting a robbery where human error is less likely to occur. Robots? Not likely as the technology isn’t yet ready. When Mabe happens upon a gang of youths being cornered by a pack of well trained Dobermans he believes he’s found the perfect solution for his next heist.
Now along with his less than stellar partners in crime, Simmy Bow and JoJo D’Amore, Mabe needs to find a handler/trainer to assist in his outlandish idea of allowing a pack of Dobermans to rob a bank while he and his partners never set foot inside it. Hal Reed turns out to just what he requires. Reed is an ex military man who trained dogs for the military. Mabe keeps Reed in the dark as to his true intentions long enough for the film to focus on the training of six Dobermans. Had Reed noticed the names of the animals he should have guessed something was up right from the start of his employment. Located in the cages are six gorgeous dogs named, Dillinger, Floyd, Nelson, Ma Barker, Bonnie and yes Clyde. For good measure we even have a bulldog named J. Edgar for comedy relief. I see a definite theme here and so did Brando!
Injecting some drama into the plot is Julie Parrish as Mabe’s girl who figures she’s gonna earn a cut of the score and isn’t happy when Mabe offers her a paltry fee as opposed to a fifth of the take after Mabe convinces Reed to sign on to the operation. Mabe has little choice but to bring Reed into his confidence in order to train the dogs to properly carry out the heist. Dog whistles, slow motion jumps, relay courses, fangs, snarls and padded “dummies” are needed for the training sessions that see the dogs turn from gentle souls to deadly four legged killers with the use of a silent dog whistle. When Parrish finds a budding romance with Reed, things are bound to get complicated when the time comes to split the take.
All of this leads up to the heist itself which is really the whole reason for watching this film that features the debut score from Alan Silvestri who would go on to compose music for films ranging from Back to the Future to Predator to today’s films in the Avenger’s Universe. The handling of the dog’s during the on screen heist are credited to Karl Miller. He too was just getting started here but would go on to handle dogs in films such as Cujo, K-9 and the Beethoven films to name a few. The Doberman’s live up to their reputations looking extremely dangerous and aggressive towards the bank guards, tellers and customers within the bank itself. All the while being controlled by dog whistles to carry out their intended part of the heist.
Sure it’s a heist movie but I’m not talking and Brando’s not barking. Unless of course he hears the front door shut or a car on the street or…… pretty much anything I guess.
I suspect this was a film no one could decide just how to market to theater goers. While it’s light and cheerful at times with a Disney like song called Dog Gone Days playing on occasion as the Dobermans frolic and play, it turns hard at times with Mabe landing a haymaker on his girl Parrish and when those dogs cut loose with the fangs it’s a rather bloody affair. Not exactly scenes for the kiddies of 1972. Still, the director Chudnow would give the theme another go in 1973’s The Daring Dobermans and movie goers of 1976 would see the release of The Amazing Dobermans featuring Fred Astaire doing tap dance numbers with some four legged partners.
According to the trivia section of the Internet Movie Data Base …………….
This film received the first “No Animals Were Harmed” end credit ever issued to a movie by the American Humane Society, the oversight organization responsible for monitoring animal actors during productions.
According to Season 4, episode 27 of The Dog Whisperer; Cesar Milan admits this movie is his favorite. He says it has been watched by everyone in his family, at least 100 times.
Care to see this one? Brando ordered his copy along with the sequel The Daring Dobermans via the Warner Archive Collection.
And what did little Brando think of the film?
He tells me that while he shares the same colors and markings of the Dobermans, he still has nightmares after seeing them in The Boys From Brazil. Also that they are a little long of leg and have way too many sharp teeth but admits they’re well trained and if he wasn’t so short himself, he too might go into the banking business. “Did I just get photobombed again?”
Ah, Warner finally put this out? Excellent. I saw this as a kid at the movies way back when I was a kid and a few more times when it popped up on TV. I didn’t care much for the sequel (it was okay, but felt unecessary), but that third film was a total coffin nail even with Astaire in it, lol.
Strictly a B with the dogs providing the novelty. I’ll get to the second title but the Astaire film not part of this set. Never seen it.
Omigosh, my mom and I LOVED this movie!!
I had never seen it till now. Dogs are so well trained to do some cool stunts!
I remember seeing clips of this movie in something else, a long time ago. I never knew what the movie was. Now I do; so thanks for that.
Mission accomplished. 🙂
Looks like someone is feeling left out of all the attention the scene stealing Brando is getting. Haha “photobombed”
I do know of this one but I’m gonna put it on the back burner for now and happy to be informed by your excellent take on the film. Will wait until it’s raining cats and dogs to see it 🙂
Just noticed this comment, I’m slipping! That cat is always sneaking around looking to steal Brando’s thunder! Named him Vincent after Mr. Price.
Two very cool pet names names 🙂
I remember when all three of those Doberman films were released to theaters, but for whatever reason I never went to any of them. Not sure why…maybe I was still being confined to Disney films (at least until 1975, when that shark movie came out). And wait just a minute: I like little Brando, but I’m much more interested in your cat! Give me a few specifics, please, and when will he/she be hosting a look at ‘The Cat from Outer Space’ or ‘Harry and Tonto’?
Funny thing is, Brando and I thought maybe Cat from Outer Space might be on our schedule at some point…. lol. I was never exposed to nay of these Doberman flicks and wish the third one was in this set from Warners. As for the cat, named him after Mr. Price. We call him Vincent.
Good review…thank you! I saw this when I was just a kid and remember it fondly. There is just something exciting about being 10 years old and staying up way past bedtime to watch a cool bank heist movie! Maybe this reveals a hidden dark streak in me but I really disliked the ending. I think that maybe sometimes it’s OK for the “bad guys” to win…especially when they pull off something extraordinary! Unfortunately films like this always seem to reinforce the old Hollywood code that dictates that crime doesn’t pay and that those who break the law must not be allowed to profit…even if they do so with a devilish sense of flair.
Of course, the sequels don’t exhibit anything more than rehashed criminal activity, just spun in a different direction. I can’t say that those held the same amount of affection to me as the first movie…especially the one starring an aging and miscast Fred Astair. I always found it somewhat sad that celebrities such as him are expected to bring the skill-set they are most associated with to the table which means that an unconventional bank heist movie must now contrive a situation in which an aging song and dance man can use this talent in some cliched way.
I’ve yet to see the Fred Astaire effort but imagine he was in it for the cash or maybe a favor to a producer or director – friend. Thanks for stopping in and sharing that memory. Movie memories from our early years are always the best.