(It Came) Without Warning (1980) Jack Palance Eerie Fest Day 4 of 5


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“Stay away from the Lake!”

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A very common line in horror films when a group of teens are about to set off for a weekend of drinking and sex. But when Jack Palance issues the warning through clenched teeth it takes on a whole new meaning.

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When it comes to campy fun this film has to rank very high on the list. It seems that an alien creature is roaming the woods near a town where everyone is an aging film star slumming in a cheap horror film. You’ve got to give low budget specialist Greydon Clark credit for getting name actors to appear in a good many of his productions.

Cameron Mitchell starts the film with his outcast son on a hunting trip that gets a little gooey when flying rubber like fried eggs land on the skin and dig right in to the flesh. Larry Storch hamming it up as a scout leader doesn’t fair much better either.

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When our four teens pass on the warning of Jack they have basically sealed there fate. One of the four is a very young David Caruso who before long will be wishing he’d have listened to our star of the week.

Joining Jack for this campy ride besides Mitchell and Storch is Neville Brand, Martin Landau in another wonderful ham job, Ralph Meeker and Sue Ann Langdon.


When two of our teens flee the carnage they run into Palance who takes control of the situation. That doesn’t stop Landau from going over the edge of sanity as he is convinced the teens are agents of evil.

Jack goes campy Rambo in this one and when hit by the flying rubber eggs just cuts them off. No worries about a tetanus shot here. It’s actually Landau who is having the military flashbacks causing him to leave his sanity at the door as the final clash between our two main leads and the alien creature comes to a head. Anyone willing to bet against Jack on this fight to the death?

The alien under the huge head is played by Kevin Peter Hall who also appeared as the Predator and as Harry opposite the Hendersons.


Both Neville Brand and Jack Palance had a long history in film by the time of this production. They had actually costarred together in a 1950 war film titled The Halls of Montezuma as well as The Lonely Man in 1957. Add in another appearance together in 1969’s  The Desperadoes. By 1980 Brand was nearing the end of his run and Jack was a decade away from his rebirth opposite Billy Crystal.

Landau in this and Alone in the Dark with Palance once again is quite a bit of fun as he goes about playing a couple of insane characters. While not Oscar worthy they are definitely worth watching for the sheer enjoyment of his slicing the ham pretty thick.

Director Clark worked exclusively in low budget cinema with titles like The Return featuring Landau and Angel’s Brigade which had Palance and Brand in that cast as well. And let’s not forget the embarrassment of Satan’s Cheerleaders with John Ireland, Yvonne DeCarlo and who else but John Carradine.

As for this popular title on the cult circuit it was sadly the final film of Ralph Meeker’s and while he is in the film, he really doesn’t do much in the bar scene featuring Brand and Langdon.

After years of bootleg editions, Jack Palance and his cronies can finally be enjoyed on blu ray in a top notch release from Scream Factory that came out this year.

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And yes, the original one sheet is in the collection.



It’s a Mad Mad Mad Mad Movie Challenge …… A Place of One’s Own (1945)


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In the spirit of Halloween Kristina from Speakeasy and I assigned each other films of a ghastly nature. For those not accustomed to the Mad Movie Challenge, it’s when Kristina and I challenge the other to watch a film we had never seen previously.


This time out  I was happy to see she assigned me a James Mason film. I had heard the title but had no idea the film was a ghost story.

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Mason under quite a bit of make up is playing a retired gentleman who with his wife Barbara Mullen moves to the English countryside and purchases Bellingham House. It’s a large estate that has been empty for forty years. There’s a secret here.


Into their lives comes Margaret Lockwood to be a companion to Mason’s wife Mullen. There are times when she doesn’t quite feel herself. It’s as if someone is possessing her.

While entertaining some stuffy neighbors, Dennis Price as a young suitor comes into Lockwood’s life. He’s the young Doctor in town. Love is in the air. Over dinner our guests tell Mason and Mullen of the ghost that is believed to haunt the house. “Poppycock!” says our leading man.

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The plot picks up speed when a buried locket is uncovered and Mason can’t quite put his finger on the eerie goings on. He makes a gift of it to Lockwood. The inscription, “It is thee my dear I do adore and will my dear for evermore.”

When Lockwood begins to act mysteriously, Mason and Price try to find out the history of the house and the supposed ghost. It turns out a young woman died although there were rumors of murder forty years ago.  It seems that the young Doctor who treated her may have been in love with her and she with him. He’s disappeared in time and the fortune went to the caretakers who lost their lives on a sinking ship going to America.

With Lockwood fading fast of a mysterious illness Mason and Doctor Price are running out of time. Wife Mullen is convinced that Lockwood is no longer herself but the young woman from forty years ago. When Lockwood begins to call the doctor’s name from the past they’re sure of it.

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Not an outright spooky thriller, more of a Gothic romance. The type I would see my Mother reading when I was a kid.

As the film wound down I could see the end coming. Even though I suspected the solution the hair stood up just a touch on the back of my neck. Then I felt better and smiled at the fadeout.


James Mason was only 36 at the time of this film’s release but was playing an elderly gent. Stooped shoulders and the slow walk. As much as I like Mason he didn’t sell me on the old man act. Perhaps it’s because he looked to be doing just that. Acting. I would have preferred to see him in the Dennis Price role.

As for Price, not a fan. I had a hard time seeing him as young suitor. No fault of his. It’s just that I always picture him as a rather weaselly character or slumming in grade Z Jess Franco productions.

Barbara Mullen as Mason’s wife came off the best. She was only 31 at the time but fared much better with her role of the elderly woman. She had a tenderness that came through.

Then there is beautiful Margaret Lockwood. She has a shine too her when she smiles on camera that lights up the screen. She and Mason would also star this same year in the very entertaining film The Wicked Lady.


The films director was Bernard Knowles. This was his first film behind the camera. Up to this point he was working as a cinematographer on films including some early Hitchcock titles like Jamaica Inn and Sabotage.

For fans of the classic Bride of Frankenstein you’ll be sure to recognize Ernest Thesiger popping in for a pivotal role as the mystery comes together for Mason.

There’s a great line in here that I’ll have to share with my doctor the next time I pay him a visit. I’m in no hurry by the way.

“Doctor’s don’t like ghosts cause they’re the patients that slipped through their fingers.”


This was an entertaining story with a ghostly presence that if given the chance makes for a good rainy night viewing.

Now don’t forget to head over to see what Kristina has been asked to watch for the spooky time of year. It’s the story of the ill fated Merrye family.




Craze (1974) Jack Palance Eerie Fest Day 3 of 5


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From exploitation producer Herman Cohen comes this Freddie Francis film starring  a maniacal Jack Palance as a curio shop owner in the heart of London. Palance’s rather low key subtle style will be traded in for one of his enjoyable over the top ham jobs.

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No time for building up suspense here as the opening scene has our main man leading a coven of devil worshipers praying at the foot of their God Chuku. Before the film is five minutes old we have our leader Jack allowing one of his followers to strip and dance naked for Chuku’s pleasure. Not to mention Jack and the drive in crowd as well I suppose.

When an exiled member turns up to beg Jack to be allowed back into the coven he gets violently angry and due to an unforeseen shove, she winds up impaled on the statues sharp claw. A blood sacrifice that Jack believes is the reason his fortunes have turned and his business is suddenly becoming successful. This of course leads to more bloodshed and sacrifices.


Next up we see Jack the babe catcher hit the bars to net lovely Julie Ege. He knows his way around women and Ege takes the bait and  the love making commences with a little weed to take the edge off.  Big mistake as Chuku is about to receive another sacrifice.

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Before he knows it the police are poking around as Jack’s name has come up in a couple of murders. One of which seems to be a perfectly executed killing of his aging aunt. He believes he has an air tight alibi. He was bedding Diana Dors the night of the killing. Or was he?

The police chief played by Trevor Howard puts his men onto Jack’s assistant at the store who knows more than he’s telling. When he begins to panic Jack goes over the edge once more with his aggressive acting style to calm his “Renfield” down.

With the police closing in and Chuku demanding another sacrifice what’s Jack to do? Perhaps a little more ham might help. Jack’s giving us plenty this time around. While the film isn’t memorable I do admit to savoring every raspy line delivered through Jack’s clenched teeth. Perhaps he’s an acquired taste.

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This is one of the many films Jack turned out in the seventies while overseas. He covered most genres from horror and western to Italian gangland flicks. Even a softcore film titled Black Cobra.

Turning up alongside the familiar Trevor Howard is the well known face of Hugh Griffith. They add some name value to the flick but their roles are strictly of the cameo variety.

Director Francis did a number of horror themed films for Hammer and Amicus Studios among other companies. He actually worked with Palance previously in the best segment of the Amicus anthology film Torture Garden in 1967.


Craze is not for the masses but if you like your Jack sliced thick then you may find this ham agreeable.

Man in the Attic (1953) Jack Palance Eerie Fest Day 2 of 5


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Jack Palance picks up the knife for this low budget version of The Lodger that had last been played by Laird Cregar in the superior 1944 version.

The Lodger is of course Jack the Ripper.


The film opens with another Ripper murder in the fog shrouded streets of Whitechapel. While the search for the famed killer is under way our leading man Jack Palance arrives at the door of an older couple looking to rent their extra room. The couple are played by long time character player Rhys Williams and Frances Bavier of Aunt Bee fame from Mayberry.

Palance sells himself to Bavier as a doctor of science who likes his privacy and doesn’t need any paintings of actresses hanging in his room. The faces disturb him.


Into his world comes the older couple’s niece played by Constance Smith. She’s breathtakingly beautiful and Jack takes notice. She in turn seems to take an interest in Palance’s shy nature and background story meant to give reason for the atrocities he commits. Could he be a possible suitor?

When another murder takes place our intrepid inspector played by Byron Palmer winds up questioning our leading lady about the victim. This in turn leads him to discover the strange Lodger that is staying with the family.

When lovable Aunt Bee begins to suspect something isn’t quite right with Palance’s movements she comes to believe she is harboring the man known as Jack the Ripper. Hubby Williams continually shoots her down with some amusing solutions concerning her suspicions.

When Jack begins to fence with Palmer over police procedures his world will no doubt come crashing down. Especially when Constance Smith shrugs aside his advances for a possible life together as after all she is a lady of the stage.


It won’t be long before the clues add up and the late night chase is on as Palance attempts to flee the police led by Palmer.

Jack Palance makes for a good on screen Ripper in a role that allowed him to play it low key and restrained where it could have been easy to go over the top.


With the amount of serial killers we have experienced on screen over the last couple of decades this role from Jack can be looked upon as one of the the screens earlier attempts at digging into the killers reasoning that we hear of all the time in our thrillers of today.

While this is a “B” film, it’s above average but in no way should be held up to the Cregar version. The Lodger story has been filmed a number of times including an early 1927 version from Alfred Hitchcock.


Beautiful Constance Smith who plays the object of Jack’s desires is a dead ringer for Hedy Lamarr. It’s no wonder she won her trip to stardom because of it. It seems she won a Hedy lookalike contest. Sadly she fell into obscurity in the late fifties and wound up another Hollywood tragedy.

This Palance effort was directed by Hugo Fregonese who in the early fifties worked with a number of name actors including Gary Cooper and Barbara Stanwyck on Blowing Wild before going overseas for the balance of his career.

Man in the Attic is an easy film to locate online or as part of the Midnight Movies collection on DVD from MGM.

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Alone In the Dark (1982) Jack Palance Eerie Fest Day 1 of 5


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When a local institution for the mentally ill suffers a power failure, four psychopathic inmates from the third floor walk out the front door to wreak havoc on a new Doctor’s family and anyone else who happens to get in their way.


This early production from New Line Cinema gives Jack Palance top billing as the leader of our quartet with murder on their minds. He’s a former military man joined by Martin Landau as a preacher who loves fire and Erland Van Lidth as a behemoth rapist. The fourth man of the group is a mystery figure known as the bleeder.


Adding to the fun is Donald Pleasence as the quirky Doctor who runs the institution. It’s the A-Team’s Dwight Schultz who is the new psychiatrist who the foursome have marked for death. They believe he is responsible for the death of their former doctor.

As the bodies pile up Schultz and family along with his sister and Phillip Clark find themselves trapped in their secluded house. It reminds me briefly of the set up in the farmhouse for Night of the Living Dead. Pleasence turns up to face down Landau and call out to him the Lord’s commandment, “Thou Shalt Not Kill.” Landau with the craziest of grins has the perfect response. “Vengeance is mine!”

From here it’s a matter of which actors will survive and which will face a bloody demise.

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Jack Palance lends his strong presence to this horror film from the early days of the slasher film era. While it gets lost in the mix it has an outstanding cast that shouldn’t be overlooked. Jack’s habit of breathing lines rather than just saying them once again gives him a fierce dynamic that is hard to match. While he jumps at the camera occasionally his performance this time out is rather restrained while he let’s Landau do most of the hamming.

Surprisingly this is a much better crafted film than the Halloween’s and Friday the 13th’s of the day but it lacks their drive and sole device of evil. Who’s going to make a series of films with Palance and Landau?

Erland Van Lidth is a mountain of a man who only appeared in four films including his role opposite Gene Wilder and Richard Pryor in the hilarious Stir Crazy before his early death.

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The movie panders to the exploitation crowd with a customary teen sex scene that doesn’t end well for the young duo but it does allow for one of the film’s biggest marketing devices captured on the film poster.


Even the film’s trailer goes for the drive in crowd without revealing what the plot of the film is really about. Perhaps they should have played it straight with more details on the direction of the film for the t.v. ads.

This was the directorial debut for Jack Sholder who would go on to do many genre titles including the first Nightmare on Elm Street sequel which was also a New Line Cinema production.


Totally watchable thriller for it’s time with a freaky unveiling of the fourth killer known as the bleeder. Still I did find myself wishing for more Jack. With all due respect to Pleasence and Landau, Jack is the reason I’m tuning in.

Mister Roberts (1955)


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Mister Roberts is a film that one can either be for or against when comparing it to the actual stage play from whence it came. Unfortunately for Henry Fonda who plays the leading character in both the film and stage productions, most people are for it. Henry and perhaps Broadway producer/director Joshua Logan might be the only two people dead set against it.


For the Stage to Screen Blogathon hosted by Rachel’s Theatre Reviews and The Rosebud Cinema I went with Mister Roberts. I have always enjoyed this film as it has a knockout cast and it’s mostly directed by the legendary John Ford with Mervyn LeRoy lending a hand as well.

Logan and Tom Heggen who actually wrote the source novel approached Fonda about taking the lead in the play and Henry jumped on board. After working through previews the play debuted on Broadway February 18th, 1948. It proved to be both a critical and box office hit. Both Fonda and the play would receive Tony Awards.


As is the case with many successful plays it would spawn other versions elsewhere including Tyrone Power performing the role on stage in England. Fonda would do the show on Broadway into October of 1950 before taking it on the road.

In 1951 Henry would move on to another play and even perform The Caine Mutiny on stage. It was Lloyd Nolan who had the meatier role of Captain Queeg that Bogie would enact on film in 1954.

It was time for Henry Fonda to get back on the big screen as 1954 came around. His last film had been John Ford’s Fort Apache in 1948. It was Ford who would helm the big screen adaptation of the play that was so close to Fonda’s heart.

Mister Roberts is the story of the crew aboard the U.S.S. Reluctant. The ship is Captained by James Cagney in a cartoonish role of a stern task master that no one aboard likes or has any respect for.


Fonda as Mister Roberts is second in command who would like nothing more than to get transferred to a ship that is in on the fighting action of WW2. The Reluctant is nothing more than a cargo ship that only sees action when it comes to nurses. Jack Lemmon appears here in an Oscar winning performance as young Ensign Pulver. It’s a star making turn for Lemmon opposite our iconic leads plus the smooth performance of William Powell as the ship’s doctor. This would in fact be Powell’s swan song from the movies.

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I for one enjoy what’s on the screen here but realize there was plenty going on behind the camera. Admiral John Ford began filming the Robert’s screenplay at Midway in September of 1954. He’d had a long association with Fonda that was about to come crashing down. Despite the fact that Cagney is memorable here, Fonda didn’t like the tone of the character that had been changed from William Harrigan’s stage interpretation and he felt the film wasn’t living up to the play’s standards. According to legend, he confronted Ford with his concerns and Ford decked him. In that one moment a great Hollywood union was sadly broken and following this production, they never worked together again.


Ford’s drinking which had plagued him over the years but not really onset spiraled this time and he wound up with gall bladder issues forcing him off the picture as it neared completion. Ford stock company regular Ward Bond stepped in to take over some of the director’s chores until another long time vet took over the production, Mervyn LeRoy. Other members of the John Ford stock company appearing here are Ken Curtis. Patrick Wayne and Harry Carey Jr.

Despite Fonda’s overall disappointment about the film it would receive three Oscar nominations including Best Picture, Sound Editing and the win for Jack Lemmon.


From our view point looking back we have to take the film as it is without comparing it to the stage production as is the case with so many stage to screen adaptations. Whereas Fonda was unhappy with the overall experience the public made the film a box office hit. The acting company do a splendid job on screen and James Cagney does his best to steal every scene he’s in. A hard thing to do with Lemmon in there as well. Perhaps that’s part of the reason Fonda wasn’t happy with the film. Fonda more or less had to play straight man here to a legendary pro and one who could some day be called the same.

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Mister Roberts has been a regular addition to television networks over the years and has found a home on TCM like so many other fine films from yesteryear.

Seek it out and let Fonda, Cagney, Lemmon, Powell, Bond and the crew of the Reluctant touch your heart one more time.

Hammer Fest at the Monster Bash 2014 Part 2


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As day 1 came to a close there was still plenty of fun to be had. Actress Elizabeth Shepherd was appearing following a viewing of The Tomb of Ligeia.


She was happy to talk about the production and working with Vincent. She felt he was underrated as all of his fans believe. I include myself in that number. She shared the details behind her demise in the Omen II and how the scenes with the bird that does her in were filmed. I was glad to hear she felt William Holden was a joy to work with and that he was so at home on the screen.


Then it was time to sit in and watch an early Bela Lugosi film from Hammer Productions that was filmed in 1935. The print we were treated to was titled The Phantom Ship. This was the North American title. It was originally released in England under The Mystery of the Mary Celeste. Other than Bela’s silent films this is one of his few talkies I hadn’t seen. Hats off to Bela here. He was very good. It’s too bad the film didn’t have a tighter script and a larger budget. It had it’s moments.

The last interview of the day was with beautiful Veronica Carlson.


She talked of Lee and Dracula Has Risen From the Grave and working with Dear Peter Cushing on two films. The superior Frankenstein Must Be Destroyed and years later on The Ghoul. She called him an “old world gentleman.” At one point she was moved to tears while talking of her fond memories of working with him and how he was wonderful with his props not to mention how he handled the “rape” scene they were forced by the studio to film against Terence Fisher’s wishes.


She pointed out how much he dearly loved his wife Helen and how her death affected him in the years after. Then she went on to talk of working with David Niven and having Roger Moore drop by the Hammer sets.

The night for me ended with some music from the house band. I couldn’t hang in for the late night Mexican horror movie. Eyelids were getting heavy.

On to day 2.

I finally made it into the vendor’s room and got lost in my hobby of collecting all things to do with movies. Dvd’s, film posters, film books and whatever else can be associated to film history. Then back for more things Hammer in the screening room.

The 1964 film The Gorgon with Cushing and Lee. I have always loved this flick and it has the added bonus of a great performance from Barbara Shelley. Once again Hammer uses those wonderful sets giving their films such an expensive look. They knew how to make the best of their small budgets.


To lighten the mood for those who were interested we were treated to an episode of F Troop starring series regulars Larry Storch and Forrest Tucker. This episode featured the talents of Vincent Price as a supposed vampire in the old west.


Our next leading lady to take the stage was the energetic Suzanna Leigh. She had plenty to say from her early days and how she approached her Godmother Vivien Leigh telling her of her desire to become an actress. How she chased down Hal Wallis to get a Paramount contract. This led her to co-starring opposite Elvis in Paradise Hawaiian Style of which she shared her amusing story of meeting the King.


She talked of Thelma Ritter giving her guidance by example while working on Boeing Boeing. Tony Curtis she liked but the less said about co star Jerry Lewis the better. She enjoyed doing The Lost Continent for Hammer and missed her chance to work with Peter Cushing when he was forced to pull out of Lust for a Vampire due to his wife`s passing. And as for dancing, she sure seemed to be ready to party when the house band was cranking out the sixties tunes the night before.

For a lot of fun one should watch The Tingler with a crowd of classic horror fans. Vincent Price in a William Castle film where the Tingler is loose in a movie theater. Scream! Scream for your lives.


I do believe the highlight of the weekend for me of the events I attended was to sit in on a one hour session with Victoria Price. Through videos and slides she took us through the course of her beloved fathers life and career.


Apparently she started to do this show in 2011 and I am glad to have taken part in seeing it. Highly recommended for people who love the life and career of the one actor who always seemed to be having fun more than any other. Listening to how he lived his life really makes you want to spread your own wings and do as much as you can in the time we have. Hats off to daughter Victoria for putting this together and at the same time allow us to see both his strengths and faults. She brought a zest and enthusiasm with her that seems to have been channeled through her famous father.


I ended my weekend here despite more films to attend on Sunday but it was time to get back home to Canada. Glad I went and at the same time wish more people could say the same. It seemed to be a rather small crowd.

The 5 Eerie Days of Jack Palance Week beginning October 20th.


Tough guy Jack Palance was known to “go over the top” throughout his film career and perhaps best of all in some of the horror films he did. At the same time he could play a low key brooding character and be extremely effective. Next week a bit of both as I feature five of his films throughout the week to celebrate the Halloween month. Hope you like my picks. Not sure if our man of the moment below does.


Hammer Fest at the Monster Bash 2014 Part 1


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While attending the Monster Bash early this year in Mars Pennsylvania (day 1, day 2) I was delighted to learn they were going to celebrate Hammer Films in the fall. Not only the films but they were bringing in some of the actresses who played the heroines/victims from the cult studio classics.

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This time out I sat in on the opening show titled Monsters We’ve Known and Loved narrated by Joseph Cotten. It’s an episode of Hollywood and the Stars from 1964.

The first film for viewing was The Curse of Frankenstein. Really the film that got Hammer rolling and put Cushing and Lee on the road to stardom.

Next up was sitting in and listening to Martin Stephens talk mainly of his experiences as a child actor and the making of Village of the Damned in 1960 and The Innocents opposite Deborah Kerr.


While not Hammer films they were produced during England’s glory years of horror and sci-fi cinema. He spoke highly of Barbara Shelley and recalled playing chess on set with George Sanders. As for Deborah Kerr, he seemed overjoyed by her lack of ego and fondly recalled his kissing scene with the beautiful actress.

Then it was time for The Horror of Dracula. To me the greatest of vampire films. It’s compact but the scene of Lee’s entrance fangs dripping still is one of the great scenes in all of horror film history.


Lee vs. Cushing doesn’t get any better than this. The energy of the film is only heightened by James Bernard’s thrilling score. A classic!

Martine Beswick next took to the stage for an engaging half hour of questions from the crowd and reminiscing. She covered her sixties “babe” years recalling One Million Years B.C. with Raquel Welch and working with Sean Connery on From Russia With Love.


I couldn’t help but ask her what it was like working with Klaus Kinski on A Bullet For the General. She laughed and said he was “Mad as a hatter.” But that didn’t stop her from loving her time with him as he was plenty of fun to hang out on set with.


Then came to the stage a lady who I admit is my personal favorite “Hammer beauty”. Caroline Munro. She talked of working in a very family oriented environment with Roger Moore and cast on The Spy Who Loved Me. Having food prepared by master chef Vincent Price while engaged on The Phibes films. She reaffirmed as did all the ladies of what a joy it was to work with the gentlemanly Peter Cushing. Anything you read about Peter points this out and these ladies were at times wiping tears while recalling their time with him. Working on Hammer’s Dracula A.D. with Lee and the underrated Captain Kronos Vampire Hunter was talked about. I was really impressed with the fact that she is a Trustee of the Ray Harryhausen Foundation. She spoke very highly of his genius and working on The Golden Voyage of Sinbad as the leading lady opposite John Phillip Law’s Sinbad.

Caroline Munro (PD)

I couldn’t help but ask her “I notice you worked on a western with Richard Widmark. How did that come about and what was it like working with one of my favorite actors?” Her reply was endearing. “Are you from Canada? I can tell by the way you say “about”.


No wonder she was always my favorite of the glamor girls of Hammer. For the record Widmark gave her some pointers and was a total professional for their film A Talent For Loving which came near the start of her career.

Then it was off to get a couple of posters signed by the two leading ladies.


I had brought along original copies of Dr. Jekyll and Sister Hyde that starred Beswick and Dracula A.D. which featured Caroline. Both were friendly and took an interest in a fan’s poster collection.


More on Day 1 and Day 2 to follow.


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